000			03443cam a2200661 a 4500
001			ocm42397663
003			OCoLC
005			20230829030026.0
008			990823s1999 inu b 000 0 eng
010			_a 99046630
040			_aDLC _beng _cDLC _dNLGGC _dBTCTA _dYDXCP _dHEBIS _dDEBBG _dXII _dOCLCO _dOCLCQ _dZID _dJ9U _dOCLCO _dOCLCA _dDHA _dOCLCA _dOCLCF _dOCLCA
020			_a1575060388 _q(alk. paper)
020			_a9781575060385 _q(alk. paper)
029	1		_aAU@ _b000020976407
029	1		_aDEBBG _bBV013050712
029	1		_aHEBIS _b09063201X
029	1		_aNLGGC _b19743147X
029	1		_aNZ1 _b5335559
029	1		_aYDXCP _b1639853
035			_a(OCoLC)42397663
050	0	0	_aBS1450 119th _b.F74 1999
082	0	0	_a223/.206 _221
084			_a11.41 _2bcl
084			_aBC 6735 _2rvk
084			_a223.2
049			_aMAIN
100	1		_aFreedman, David Noel, _d1922-2008. _926976
245	1	0	_aPsalm 119 : _bthe exaltation of Torah / _cby David Noel Freedman.
260			_aWinona Lake, Ind. : _bEisenbrauns, _c1999.
300			_avii, 94 pages ; _c23 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aBiblical and Judaic studies from the University of California, San Diego ; _vv. 6
504			_aIncludes bibliographical references (page 94).
505	0		_aAlphabetic acrostic psalms -- Psalms 111 and 112 -- Psalms 23 and 34 -- Psalms 9/10 and 37 -- Psalms 119 and 145 -- The structure of Psalm 119 : part I -- The structure of Psalm : part II -- Conclusion : the theology of Psalm 119 -- The reputation of Psalm 119 -- The apotheosis of tora -- Form and content.
520			_a"The alphabetic acrostic is one of the most easily identifiable poetic forms in the Hebrew Bible. Yet its very obviousness has tended to deflect deeper exploration of its structure and purpose. There is no priori reason that alphabetic acrostics should be less creative, expressive, or complex than other psalms. Thus the essays collected here investigate the acrostic format as a legitimate option for Israelite poets rather than as the refuge of uninspired epigones. Freedman focuses on the technical aspects of the psalms: metrics, syllable counts, colon length, and symmetry within the psalm. The results show that the poets' creativity functioned at all levels, from the individual line to the complete psalm." -- Back Cover
630	0	0	_aBible. _pPsalms, CXIX _xLanguage, style. _954979
630	0	0	_aBible. _pPsalms, CXIX _xRelation to the Pentateuch. _954980
630	0	0	_aBible. _pPentateuch _xRelation to Psalms. _954981
630	0	7	_aPsalmen 119. _2swd _954982
630	0	7	_aBibel _pPentateuch _2gnd _941623
630	0	7	_aBibel _pPsalmen _n119 _2gnd _954983
630	0	4	_aBible. _pPentateuch _xRelation to Psalms. _954981
630	0	4	_aBible. _pPsalms _nCXIX _xLanguage, style. _954984
630	0	4	_aBible. _pPsalms _nCXIX _xRelation to the Pentateuch. _954985
630	0	7	_aBible. _pPentateuch. _2fast _0(OCoLC)fst01808093 _95311
650		0	_aAcrostics in the Bible. _954986
650	1	7	_aPsalmen (bijbelboek) _2gtt _918977
650		7	_aExegese _2gnd
650		7	_aJudentum _2gnd _95895
650		7	_aAcrostics in the Bible. _2fast _0(OCoLC)fst00796099 _954986
830		0	_aBiblical and Judaic studies ; _v. 6. _954987
938			_aBaker and Taylor _bBTCP _n99046630
938			_aYBP Library Services _bYANK _n1639853
994			_a92 _bYNA
999			_c11987 _d11987
942			_cBK _00