Institutions of modernism : literary elites and public culture / Lawrence Rainey.
Series: Publication details: New Haven, Conn. : Yale University Press, ©1998.Description: x, 227 pages : illustrations ; 25 cmContent type:- text
- unmediated
- volume
- 0300070500
- 9780300070507
- Eliot, T. S. (Thomas Stearns), 1888-1965 -- Appreciation
- Marinetti, F. T., 1876-1944 -- Appreciation
- H. D. (Hilda Doolittle), 1886-1961 -- Appreciation
- Joyce, James, 1882-1941 -- Appreciation
- Pound, Ezra, 1885-1972 -- Appreciation
- Eliot, T. S. (Thomas Stearns), 1888-1965 -- Appréciation
- Marinetti, Filippo Tommaso, 1876-1944 -- Appréciation
- H. D. (Hilda Doolittle), 1886-1961 -- Appréciation
- Joyce, James, 1882-1941 -- Appréciation
- Pound, Ezra, 1885-1972 -- Appréciation
- Eliot, T. S. (Thomas Stearns), 1888-1965
- H. D. (Hilda Doolittle), 1886-1961
- Joyce, James, 1882-1941
- Marinetti, F. T., 1876-1944
- Pound, Ezra, 1885-1972
- Doolittle, Hilda 1886-1961
- Eliot, T. S. 1888-1965
- Joyce, James 1882-1941
- Marinetti, Filippo Tommaso 1876-1944
- Pound, Ezra 1885-1972
- Englisch
- Joyce, James, 1882-1941. Ulysses
- H. D (Hilda Doolittle), 1886-1961
- Eliot, Thomas Stearns, 1888-1965
- Pound, Ezra, 1885-1972
- Marinetti, Filippo T
- Pound, Ezra, 1885-1972 -- Appreciation
- Joyce, James, 1882-1941 -- Appreciation
- H. D. (Hilda Doolittle), 1886-1961 -- Appreciation
- Marinetti, Filippo Tommaso, 1876-1944 -- Appreciation
- Eliot, T. S. (Thomas Stearns), 1888-1965 -- Appreciation
- Umschulungswerkstätten für Siedler und Auswanderer Bitterfeld
- 1912-1939
- 1900-1999
- American poetry -- 20th century -- History and criticism
- Modernism (Literature) -- United States
- Literature and society -- History -- 20th century
- Authors and readers -- History -- 20th century
- Authors and patrons -- History -- 20th century
- Modernism (Literature) -- Great Britain
- Literary patrons -- Great Britain
- Literary patrons -- United States
- Poésie américaine -- 20e siècle -- Histoire et critique
- Modernisme (Littérature)
- Littérature et société -- Histoire -- 20e siècle
- Écrivains et lecteurs -- Histoire -- 20e siècle
- Écrivains et mécènes -- Histoire -- 20e siècle
- American poetry
- Art appreciation
- Authors and patrons
- Authors and readers
- Literary patrons
- Literature and society
- Modernism (Literature)
- Modernisme (cultuur)
- Letterkunde
- Amerikaans
- Engels
- Elite
- Literatur
- Moderne
- Mäzenatentum
- Englische Literatur -- Modernismus
- Mäzenatentum -- Grossbritannien -- Geschichte 20. Jh
- Mäzenatentum -- USA -- Geschichte 20. Jh
- Englisch
- Geschichte
- Literatur
- Moderne
- Écrivains et mécènes -- 1900-1945
- Modernisme (littérature)
- Poésie américaine -- 1900-1945 -- Histoire et critique
- Littérature et société -- 20e siècle
- Moderne : Literatur
- Great Britain
- United States
- 811/.5209112 21
- PS310.M57 R35 1998
- 18.03
- EC 2100
- EC 5180
- EC 5184
- HM 1120
- 811.5209112
| Item type | Current library | Call number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|
| Books | Academic Resource Center at Levitt General Stacks (LOWER Level) | PS 310 .M57 R35 1998 (Browse shelf(Opens below)) | Available | 16983 |
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Includes bibliographical references (pages 173-214) and index.
The creation of the avant-garde: F.T. Marinetti and Ezra Pound -- Consuming investments: Joyce's Ulysses -- The price of modernism: publishing The waste land -- From the patron to il duce: Ezra Pound's Odyssey -- Patronage and the poetics of the coterie: H.D. in the modernist canon.
This book provides a radical and revisionary account of modernism, its many contradictions, and its troubled place in our public culture. Lawrence Rainey, widely known for his contributions to the debates on modernism, looks beyond the well-examined themes and innovative forms of the movement, asking instead where modernism was produced and how it was transmitted to particular audiences. Delving into previously unexamined primary materials, the author tells new and startling stories about five major modernist figures - James Joyce, T.S. Eliot, Ezra Pound, H.D., and F.T. Marinetti - whose individual tales offer fresh perspectives on the larger story of modernism itself.
The book ranges in time from the formation of Imagism in 1912 to the slow dissolution of modernism during the late 1930s.
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